NOTE : Comprehensive Music Theory Reading List
See all notes || ArchiveFundamentals of Music Theory
Pitch and Notation
- Staff, Clefs, and Note Names
- Ledger Lines
- Accidentals (Sharps, Flats, and Naturals)
Rhythm and Meter
- Note Values (Whole, Half, Quarter, etc.)
- Time Signatures
- Simple, Compound, and Complex Meter
- Syncopation and Polyrhythms
Scales and Modes
- Major and Minor Scales
- Natural, Harmonic, and Melodic Minor Scales
- Pentatonic and Blues Scales
- Church Modes (Ionian, Dorian, Phrygian, etc.)
- Whole Tone and Chromatic Scales
Intervals
- Perfect, Major, Minor, Augmented, and Diminished Intervals
- Interval Inversion
Harmony and Chord Structures
Triads and Seventh Chords
- Major, Minor, Diminished, and Augmented Triads
- Major 7th, Dominant 7th, Minor 7th, Half-Diminished 7th, Fully Diminished 7th
Extended and Altered Chords
- 9th, 11th, and 13th Chords
- Altered Dominant Chords
Chord Functions and Progressions
- Diatonic Harmony (Tonic, Dominant, Subdominant)
- Common Chord Progressions (e.g., ii-V-I, I-IV-V)
- Secondary Dominants and Leading-Tone Chords
- Modulation and Key Relationships
Counterpoint
Species Counterpoint
- First to Fifth Species
Fugues and Canons
- Fugue Structure (Exposition, Development, etc.)
- Canon Techniques
Form and Analysis
Musical Forms
- Binary, Ternary, Rondo, and Sonata-Allegro Forms
- Theme and Variations
- Through-Composed Form
Phrase Structure
- Periods, Phrases, and Cadences
- Antecedent and Consequent Phrases
Advanced Concepts
Modulation and Key Relationships
- Common and Uncommon Modulation Techniques
- Pivot Chords
- Enharmonic Modulation
Circle of Fifths
- Key Signatures and Relationships
- Relative and Parallel Keys
- Enharmonic Keys
Chromaticism and Non-Diatonic Scales
- Chromatic Scale
- Whole Tone Scale
- Octatonic (Diminished) Scale
Jazz Harmony and Voicings
- Jazz Chord Symbols and Nomenclature
- Voicing Techniques (Drop 2, Quartal Voicing, etc.)
- Improvisation and Scale Choices (Modes, Blues Scale, etc.)
Orchestration and Instrumentation
- Instrument Ranges and Characteristics
- Writing for Different Ensembles
- String Quartet, Wind Quintet, Brass Ensemble
- Full Orchestra, Big Band
Atonal and Serial Music
Twelve-Tone Technique Set Theory
Contemporary Music Theory
Minimalism and Post-Minimalism Electronic and Computer Music Theory
Ethnomusicology
Study of Non-Western Music Theories
- Indian Raga and Tala
- African Rhythmic Structures
- Gamelan Scales and Forms
Suggested Reading List
- "Tonal Harmony" by Stefan Kostka and Dorothy Payne
- "The Complete Musician" by Steven G. Laitz
- "Counterpoint" by Fux (translated by Alfred Mann)
- "Harmony" by Walter Piston
- "Jazz Theory Book" by Mark Levine
- "The Study of Orchestration" by Samuel Adler
- "A New Approach to Jazz Improvisation" by Jamey Aebersold
- "Twentieth-Century Harmony" by Vincent Persichetti
- "Materials and Techniques of Twentieth-Century Music" by Stefan Kostka
- "Ethnomusicology: A Contemporary Reader" edited by Jennifer C. Post